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                  <text>The collection of more than 250 postcards and stamps demonstrates the popularity of this medium and the types of arguments both for and against suffrage. The cards illustrate the perceived threat to traditional gender roles, the growing violence of the suffrage movement primarily in England, and the way in which women were mobilizing to challenge conventional political and social responsibilities. The collection also includes a selection of printed photographic postcards distributed after the March 3, 1913 parade in Washington, D.C., as well as a series of photo cards published by the Women’s Social and Political Union and the Women’s Freedom League to highlight their officers.</text>
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                <text>Clipping : Should women use violence? Charlotte Perkins Gilman. Pictorial Review. Vol. 14. November 1912</text>
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                <text>Social roles&#13;
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Women's Social and Political Union&#13;
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                <text>Gilman discusses recent militant and sometimes violent tactics by suffragists in England and perceptions of violence by women. In order to conduct a fair evaluation of these tactics, she asks: Is violence ever justifiable? Are women ever justified in using violence? Are these English women justified? &#13;
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                <text>Postcard : The simple life.--Caravanning : A halt by the wayside. [Circa 1912-1913]</text>
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                <text>Part of a series of postcards created by artist Ernest Ibbetson, entitled "The Simple Life." This card refers to suffrage caravans that took place beginning around 1908, when suffragists would travel across the countryside to lobby for the right to vote. This cartoon illustration shows a suffragette waving a copy of "Votes for Women" at her horse as the horse attempts to break free of the wagon stuck in the water on the side of the road. The book is in Women's Social and Political Union colors of purple, white, and green.&#13;
&#13;
On the verso, the card is address to Miss G. Litterton The Lodge Fingest House Fingest Henley-On-Thames, and postmarked April 12, 1913. The handwritten message reads: "Dear G. / Another p.c. for your album, I hope you are all quite well, as this p.c. leaves me, with love from Annie 14 Bidston Ave. Wallasey"</text>
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&#13;
This photograph was distributed on a postcard and shows her wearing the 'Holloway Badge' at her throat. The badge; an arrow of purple, white and green enamel mounted on a portcullis was designed by her daughter, Sylvia, and was awarded to suffragettes who had been imprisoned for their involvement in the campaign. (Museum of London)</text>
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Women's Social and Political Union (Great Britain)</text>
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&#13;
Constance Lytton joined the WSPU in 1908. She served four prison sentences. Born into an aristocratic family, Lytton was dismayed at the special treatment she received from the authorities owing to her family connections. When arrested in Liverpool while disguised as a working class woman 'Jane Warton', she was sentenced to hard labour and forcibly fed when going on hunger strike. This exposed the worse treatment to which working class prisoners were subject. Lytton later suffered a stroke owing to her prison experiences. (Museum of London)</text>
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The bottom contains the Royal Doulton hallmark and "VOTES FOR WOMEN H.N. 2816."</text>
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                  <text>The collection of more than 250 postcards and stamps demonstrates the popularity of this medium and the types of arguments both for and against suffrage. The cards illustrate the perceived threat to traditional gender roles, the growing violence of the suffrage movement primarily in England, and the way in which women were mobilizing to challenge conventional political and social responsibilities. The collection also includes a selection of printed photographic postcards distributed after the March 3, 1913 parade in Washington, D.C., as well as a series of photo cards published by the Women’s Social and Political Union and the Women’s Freedom League to highlight their officers.</text>
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                <text>Postcard : Mrs. [Rosamund] Massy. [Circa 1909]</text>
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&#13;
Women's Social and Political Union (Great Britain)</text>
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Women's Social and Political Union (Great Britain)</text>
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                <text>Photographic portrait postcard of Rosamund Massy, National Women's Social and Political Union, with the organization's address. &#13;
&#13;
Rosamund Massy was the daughter of Lady Knyvett, also a member of the WSPU. Massy became a WSPU organiser and campaigned during many by-elections. She was imprisoned several times for her suffragette activities. (Museum of London)</text>
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                  <text>Issues of newspapers and magazines from the early nineteenth and twentieth centuries include the &lt;em&gt;Anti-Slavery Examiner&lt;/em&gt;, the &lt;em&gt;National Anti-Slavery Standard&lt;/em&gt;, the &lt;em&gt;Woman’s Journal&lt;/em&gt;, the &lt;em&gt;Woman Citizen&lt;/em&gt;, the &lt;em&gt;Woman’s Tribune&lt;/em&gt;, the &lt;em&gt;Vote&lt;/em&gt;, the &lt;em&gt;Suffragist&lt;/em&gt;, &lt;em&gt;Harper’s Weekly&lt;/em&gt;, the &lt;em&gt;Woman Patriot&lt;/em&gt;, &lt;em&gt;Woodhull &amp;amp; Claflin’s Weekly&lt;/em&gt;, &lt;em&gt;Everywoman&lt;/em&gt;, &lt;em&gt;Life,&lt;/em&gt; and the &lt;em&gt;Revolution&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;The collection also includes an original clippings from 1908 to 1924, and newspapers from August 18, 1920, the day Tennessee became the 36th and final state to ratify the woman suffrage amendment.</text>
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                <text>Clipping : Cartoons magazine. Votes for Women. [1912]</text>
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Plaschke, Paul, 1880-1954&#13;
Racey, Arthur George, 1870-1941</text>
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Elections&#13;
Racey, Arthur George, 1870-1941&#13;
Roosevelt, Theodore, 1858-1919&#13;
Voting&#13;
Women--Suffrage--Canada&#13;
Wylie, Barbara Fanny, c.1862-1954)</text>
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                <text>Reproductions of drawings by Paul Plaschke, James North, and Arthur Racey originally published in the Louisville Post, Tacoma Daily Ledger, and Montreal Star.&#13;
&#13;
"When The Women Vote" by Paul Plaschke shows a woman approaching a small house on wheels, decorated with bows and signs that say: "Ladies-Register here for School Trustee Election" and "A Pink Certificate with Each Registration" used as a way to attract women voters.&#13;
&#13;
"The Political Pannier" by James North depicts Theodore Roosevelt during his bid for president during the 1912 election. The illustration features a crudly drawn Roosevelt, wearing a long dress, gloves, and an apron with the slogan "Votes for Women Vote for Me."&#13;
&#13;
"Wisdom" by Arthur George Racey shows a woman standing at the entrance to Canada, wearing a hat labeled "Militant Suffragette" and carrying supplies, including "assorted bricks, hatchets, and other missils" and "kerosene for incendiary purposes." The guard prevents her from entering. The cartoon is a reference to Barbara Wylie, member of the Women's Social and Political Union in England who went to Canada for a suffrage speaking tour in 1912.</text>
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                  <text>&lt;p style="text-align:left;"&gt;The Lewis collection includes a diverse assortment of materials that document the expanding role and status of women from the early nineteenth century until after women won the right to vote in 1920. Correspondence, conference programs, speeches, position papers, newsletters, sheet music, congressional reports, stock certificates, printed materials, and more present a view of the individuals and organizations that fought for and against political, economic, and social rights for women. &lt;br /&gt;&lt;br /&gt;The records primarily document the American suffrage movement; but also include material on the suffrage movement in England and several other European countries, as well as a wide range of issues including education, organized labor, social welfare, temperance, voter education, slavery, wartime experiences, and the women’s club movement.&lt;/p&gt;</text>
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Political cartoons</text>
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                <text>Lithograph. "The Dignity of the Franchise. Qualified Voter. 'Ah, you may pay rates an' taxes, an' you may 'ave responserbilities an' all; but when it comes to votin', you must leave it to us men!'" [1905]</text>
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Punch Magazine&#13;
Suffrage--United States--Caricature and cartoons</text>
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&#13;
This cartoon, originally published in Punch Magazine in 1905,  depicts a well-dressed woman being addressed by a man, a 'qualified voter', who points out that while she may pay taxes and have responsibilities, she is not entitled to the vote.</text>
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